Tag: People

  • PUSHKAR ji with Raghu Rai

    PUSHKAR ji with Raghu Rai

    Mr. Raghu Rai needs no introduction.

    Five days of learning,
    Three days of shooting,

    & nine images barely passed muster.

    Where is your camera?

    You have to be ready. Always.

    Those were his first words to me as we met at a dhaba along the road to Pushkar. He had left early from his home in Delhi, while I joined in from Jaipur later. This is where I met the entire group that I was to spend the next few days with, shooting at The Pushkar Mela. Eleven Photographers, the crew from Creative Image Magazine and him, the Father of Indian Photo Journalism.

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    Here is a quick look at what he taught us:

    • No static images
    • No pretty pictures please.

     

    • Wait a minute. Perceive & Receive.
    • Capture a moment. Stop thinking.

     

    • Action
    • Tension
    • Continuity
    • Intensity
    • Resonance of forms

    And, the oft-heard refrain that has come to be his legacy to me – “not enough”.

    Every time I would read or hear people say how we need a human element for scale I never was convinced but after the life changing five days with Mr. Raghu Rai at the Pushkar Fair, I learnt to see through pictures. See what adds that spark of life to a photograph.

    Though I might not always to be able to take a photograph that has action in every inch of the frame, interaction and an intensity of emotion and expression in every face. I do now try to incorporate at least a tiny gesture, some form of action – interaction and for lack of a better word the precious ‘human element’ in my images.

    The pictures that I took while walking in the alleyways of Old Udaipur in 2016 today seem so much more interesting. The motion blur that seemed flawed then adds movement and fluidity today. The people dotting the scene who were then a crowd today narrate a story, a life paused as the shutter of my camera closed.

    Thank you sir, for changing my entire perspective. I haven’t just learnt crafting images but also how to see and understand them. What I knew and understood of photography before you, now, seems nothing.

    Thank you. ??


    Of the ‘final nine’ photographs, one eventually found its place in the January 2018 issue of Creative Image Magazine.

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    While another found a place in my heart.

    An indelible image now. It will always stand for Pushkar Ji with Raghu Rai for me. Incidentally, this was also the first image that I made alongside this brilliant master of photo journalism.

    IPOTY_People_Travel_Neeharika Satyavada

    & these here are the rest of the images that got a nod.

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  • Artisan Villages of Andhra Pradesh: Sri Kalahasti

    Artisan Villages of Andhra Pradesh: Sri Kalahasti

    Legends surround Sri Kalahasti, the temple town near South India’s most popular pilgrimage centre, Tirupati. Home to the ancient Shiva temple, the Sri Kalahasteeswara Temple, this town has been the centre of many legends, stories and folk lore.

    But it isn’t as widely known that this town in Andhra Pradesh’s Chittoor district also boasts of something that is in fact more renowned than the temple itself. Kalamkari.

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    Literally meaning craftsmanship of the pen, Kalamkari refers to the hand painted cotton fabric that is counted amongst one of the most beautiful traditional Indian art forms.

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    The Sri Kalahasteeswara Temple was originally built in the 5th century by the Pallavas under the shadow of a hill by the banks of the River Swarnamukhi. This was later extended by the Cholas in the 11th and 12th centuries. But it was in the 16th century, under Sri Krishnadeva Raya that it was most celebrated. And from then on, it hasn’t been just a mythical place of worship but the fountainhead for art and culture.

    Vilasini Natyam, which is the traditional temple dance form, also originated here.

    & what started out back then as a hand painted backdrop for the deities in the temple is what has today evolved to become one of the most appreciated fabric there is, purely for its artistic value.

    That there is the story of Kalamkari.

    But, there is more. For there is a variant, a different school of Kalamkari art that flourished under the Mughals and Qutb Shahis of Golconda. Here the fabric is block printed rather than hand painted and the motifs are more Persian than religious. This form of Kalamkari is produced in the town Machilipatnam, yet another town in Andhra Pradesh where flowing water is readily available.  For whatever be the art form, it almost always draws inspiration from the society of the time, the geography of the land and availability of indigenous raw materials. And flowing water is an essential to the process of creating the Kalamkari textile.

    Before the actual process of art begins, the cotton fabric has to be prepped for drawing by washing it in water and soaking it in milk. A master artist then draws the design freehand in bold black strokes using a charcoal pencil.

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    The cloth is then soaked once again, this time in boiling water before colours are filled in by the artisans using a bamboo kalam (pen).

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    The colours are always natural and made from ingredients like indigo and myrobalan fruit.

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    From sarees and dupattas to bed linen, this hand painted cotton fabric is considered hip and not just in the art circles. There is a huge demand for it today not just in India but internationally as well. Which is probably why now the Kalamkari motifs have grown to be so ubiquitous that you see them everywhere from bags to utility trays even.


    Explorers Guide

    Distance from Chennai: 116 Kilometres
    Distance from Tirupati: 36 Kilometres
    Trip Duration: One Day
    Getting There: Less than an hours drive from Tirupati, this trip can be a detour on your journey there. One can also drive down from Chennai, shop and get back, all in a day.


    Read More on Other Artisan Villages of India:

    Artisan Villages of Andhra Pradesh: Uppada
    Artisan Villages of Andhra Pradesh:  Karipakam
    Artisan Villages of Telangana: Nirmal
    Artisan Villages of Telangana: Cheriyal


  • A Heritage Walk through The Walled City of Udaipur

    A Heritage Walk through The Walled City of Udaipur

    Think Rajasthan and immediately pops into your head a picture of undulating waves of sand shimmering golden in the sun and a row of women all but hidden in their bright twirling lehengas and odhanis, walking away with pots of water on their head as thick silver anklets catch the sun on a hot windy afternoon.

    But, you couldn’t be more wrong with Udaipur. Touted to be India’s most romantic city, it sits hidden between lush green hills endlessly stretching away in every direction.

    To get a real feel of Udaipur though and its old world charm, a heritage walk along the winding thoroughfares of its walled city is what you need.

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    Choc-a-bloc with beautiful marble palaces, ancient temples, bright colourful havelis with facades of intricate jharokas, there is a temple at every turn and every house along the way has walls adorned with frescos in the miniature painting style of the region.

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    Udaipur’s old city is divided into sections by huge ornate gates along these erstwhile rampart walls that are locally known as pols. Like Hathi Pol or Elephant Gate which leads you from the main street, on to the grandiose City Palace. There are boards everywhere directing you to the next point of interest on the walk, be it a ghat, a haveli, a palace or even a museum.

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    Of these, the Gangaur Ghat with its imposing gateway and stunning Jagdish Mandir, made entirely in white marble are the most striking. The city palace is too, in its flamboyance.

    Bhattiyani Chouhatta

    If one follows the route charted by the Udaipur Nagar Nigam, the city’s municipal council, then Bhattiyani Chouhatta is the starting point. An area within the walled city, the original fortified city from 450 years ago.

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    Here is where most of the havelis, temples and points of interest along this heritage walk are. Billboards all across the dusty crooked lanes in the old city announce backpacker friendly budget hotels, yoga and Indian cooking classes and rooftop cafes that proclaim views of the famously beautiful Lake Pichola.

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    Lake Pichola

    Everything Udaipur, is in and around this lake, the Lake Pichola. The Aravallis, the gardens, palaces, havelis and temples.

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    The walk leads you through hidden alleyways, past traditional Rajasthani homes and the numerous temples and out on to the banks of the Pichola.

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    Prominent on the lake are Jag Niwas and Jag Mandir. While the best known of these is the Taj Lake Palace or Jag Niwas, as it was called by Maharana Jagat Singh II, whose pleasure palace it was in the 1700s. It is the Jag Mandir Island Palace that stands out, with its marble courtyard and ornate elephants jutting out into the water from every corner. It was here that Shah Jahan was given refuge by the Maharana of Mewar, Raja Karan Singh in 1623.

    Gangaur Ghat

    A ghat dedicated to one of the most important local festivals of Rajasthan, the Gangaur Festival. An 18 day festival celebrated by the women of Mewar in honour of the Goddess Gauri and her consort Lord Shiva (Gana). This ghat on the Lake Pichola serves as the location for the culmination of the Gangaur festivities and as the end point for the procession that begins from the City Palace.

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    Though the Gangaur Ghat sees the most crowds during this festival that celebrates women, it remains a popular landmark and is dearly loved by the locals even otherwise during the rest of the year.

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    Bagore ki Haveli

    Located on the other side of Gangaur Ghat, this quirky museum was once a haveli.  An eighteenth century haveli of over a hundred rooms, it was built by the then prime minister of Mewar in the classic style of the day.

    Today it houses period costumes and photographs and hosts daily folk music & dance shows intended to be an evocative display of the Mewar culture.

    Not to be missed here are the world’s largest turban and the Queens Chambers intricately done up entirely in mirrors.

    Jagdish Temple

    A lyrical work of carving in three storeys of white marble, the Jagdish Temple right in the heart of Udaipur’s old city is where all the roads converge. Accessed by a steep flight of stairs, this temple dedicated to Lord Vishnu comes as  a complete surprise once you reach its main courtyard, flanked by the massive marble elephants.

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    Inspite of the buildings crowding around it, you will want to stay a while, as you are still doing the mandated parikrama (circumambulation) of the temple, stopping all the while to pay homage at the four smaller shrines dedicated to the Lords Ganesha, Shiva, Surya and the Goddess Shakti. For the entire temple is covered in carvings so intricate and interesting, that you are transfixed.

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    City Palace

    The City Palace, Rajasthan’s biggest palace is imposing in its grandeur to say the least.

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    A  series of palaces built over a period of four hundred years, as soon you enter through the Bari Pol or the Great Gate, you are greeted by huge arches. This was where massive weighing scales once stood, to measure out the ruling Maharana’s weight in gold – to be given away to the citizens of Mewar – on his birthday.

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    From these to the elephant parking bays just outside the entrance, which now serve as a look out point for idyllic views of the city set against the Aravalli ranges, everything about this palace complex is beautiful.

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    Built in a combination of Rajput and Mughal style of architecture typical of the era, a portion of the City Palace is open to the public and ranks number one on the list of things to see when in Udaipur.


    Read Next: 24 Hours in Jaipur


  • In the Nomadic Settlement of Puga

    In the Nomadic Settlement of Puga

    Snow crunched under my heavy boots as I stepped out of the heated SUV, into the freezing winter of Ladakh. It was -16 degrees and we had just arrived in Puga, a little nomadic village in the Changthang valley.

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    Located in the Eastern Ladakh Region of Jammu and Kashmir, Puga is a geothermal field and the site where the nomads of Changthang settle down for the winter and tend to their animals in the sub zero Himalayan temperatures.

    This 12 kilometer stretch of Himalayan valley in the Changthang Wildlife Sanctuary has been identified as one of the important geo thermal sites in India by the Geological Survey. This winter home of the Changpas is a  harsh and unpredictable land interspersed with geysers and hot springs and come winter it is blanketed in snow.

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    Changpas are Tibetan Nomads who follow the same migratory routes in Ladakh every year, only to settle in Puga for the four cold months. Staying in the same encampments, these ‘Nomadic Pastoralists’ bring their livestock to the same seasonal pastures every year.

    The Changpas rear yaks, horses, sheep and also ofcourse the famous ‘pashmina’ goats. The geo thermal ice fields of Puga serve them well as winter pastures for the snow and its melt bring greenery to this high altitude cold desert.It is an important season for the nomads for January and February are the birthing months for their cattle and it is also when the pashmina fur grows.

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    Here is where we stopped for lunch, Puga, setting up kitchen in one of the stone walled corrals. By the time we had warmed ourselves with some Kashmiri Qawah, we were surrounded by curious eyes and runny noses. Little nomads were every where, shy but interested in the newcomers all bundled up in their down jackets.

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    “That’s my dog, see, he is a nomad dog” said Tenzin in hesitant but clear English, perceptive to the point that she knows that we regular people would find anything ‘nomadic’ fascinating.

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    Hanle, which is 115 kilometers from Puga is where she goes to school. Sumdho is the closest town though, we had passed it on our way here and I had naturally assumed this is where these little ones in this remote corner of India, who spoke such good English would go to school.

    Only in conversing with her did I realise just how far across the Himalayas the Changpas traversed for livelihood.

    The Changthang Wildlife Sanctuary is spread across India and Tibet and historically the Changpas of Ladakh would migrate with their herds into Tibet. But with how things are politically today, this is no longer an option for them.


    Explorers Guide 

    Getting There: Puga is at a distance of 180 kilometers from Leh, the largest and the one town in the region that has all the amenities that one is used to otherwise. Read network coverage. It would be wiser to drive to Chumathang though, stay overnight  and do a day trip to Puga from there on. Chumathang to Puga is less than 40 kilometers but the route will take a good 4 hours, so start early!

    Stay: Chumathang Hot Springs Guest House. They have heaters in some of their rooms & that sure is luxury for a winter in Ladakh.


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    PS: Know a friend who would love to explore this non touristy side of Ladakh? Then, please do share this post and spread the love!


    Read Next: Little Ones of Ladakh


    Read More on Ladakh:

    5 Reasons Why You Should Travel to Ladakh Off-Season
    Celebrating Life & Beyond
    Royal Ruins: Shey Palace
    In The Realm of The Passes: Khardung La


     

  • Pondicherry, Racist much?

    Pondicherry, Racist much?

    Pondicherry has South India’s most distinctive sub culture. They say if you can’t afford a ticket to Europe, travel to Pondicherry instead. Stroll through the white part of town and be transported in time and place to a laid back French town where cafes cool and inviting are at every turn.

    But, just how racist are you Puducheri?

    Does the storm water canal that separates the French and Tamil quarters into neat little grids of White Town and Black Town also exist in your mind?


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    This is Cafè des Arts. It is the most popular Cafe in Pondicherry. Rated #1 on Trip Advisor with a Certificate of Excellence to boot.

    Here, Indians are not welcome.

    & this is what transpired in the cafe and on Trip Advisor.

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    “so when we ask you to wait, we are trying to please your comfort”

    Completely missed the point did they? Or do the tone, the numbers and the smattering of French point to something now not just obvious but also reiterated and reinforced??

    Forget about being “asked to wait”, if only we were even acknowledged.

    *Sigh*

    We are the same people, the very same Indians  who wait endlessly in queues outside the Kamats and Rajdhanis of the world for one simple meal.


    Cafè des Arts

    10, Suffren Street
    White Town, Puducherry

    +91 9994481914

    Open: 8:30 am – 7 pm, all days except Tuesdays

    Cafe des Arts Menu, Reviews, Photos, Location and Info - Zomato


    We were refused a table at Villa Shanti too. It is the next ‘Most Popular Cafe in Pondicherry’. We were told they did not have a table, while we all stood in the foyer, right there in an empty cafe. On our second visit there, as we pushed past the half closed door, we were ushered in with a grimace from the very same head waiter. Well, every other cafe in Pondicherry was closed because of the Jalli Kattu protests going on that day. Though we definitely felt unwelcome and awkward, the food was good and the experience “okay”.

    This is the same Pondicherry where Indian citizens were once offered a choice of French Citizenship as an era came to an end. It is the same Pondicherry where old war veterans, till today, turn up on the streets in the full glory of their erstwhile military uniform on Bastille Day every year.

    It is also the same Pondicherry that I so love, for in its neat little blocks, self reliance comes easy to a girl who just wants to explore, camera in hand.


     

     

  • Ladakh Festival: Celebrating Life & Beyond.

    Ladakh Festival: Celebrating Life & Beyond.

    The Ladakh Festival is an annual week-long gala organised by the Tourism Department of the Jammu & Kashmir Government every September in Leh and its surrounding villages. Local communities along with the district administrations of Leh come together to showcase the culture and traditions of this land of stunning landscape to the visiting tourists, for after all the region survives and thrives on tourism.

    This year starting off with an opening ceremony in Leh today, it is on till the 26th of this month. I was there for the Ladakh Festival 2015 and Ladakh is not the cards for me this year – atleast for now – so here I am reliving those memories through last year’s photos

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    According to the rich heritage of this former Himalayan Kingdom, every important occasion in a person’s lifetime is marked by feasting and dancing to folk songs, be it a birth, marriage, the beginning of a new year or even the start of a season when the flowers begin to bloom. The most popular ones though are the Monastic Festivals celebrated to commemorate the founding of a monastery. What with Ladakh having found a place in every Photographer’s heart and Travel Enthusiast’s bucket list, these festivals only seem to grow in scale every year. As summer comes to an end, both the festivals and the tourists begin to go back to easier terrains and the Ladakh Festival comes at just such a time, tempting you to stay back just a while longer.

    On the first day of the festival, all the locals participating and performing at the cultural events in the opening ceremony start off in a procession, dressed in traditional attire. Some of who even bring out the rare antique jewellery, headgear, jackets and such that have been in their family for generations and which cannot now be duplicated by the modern day artisans. As these groups of local leaders, tribal men and women, artisits and school children weave their way through the Leh market to the Polo Grounds where the inaugural ceremony of the festival is held, you can only be spell bound by the colour you see and the beauty of happy locals against the stark backdrop of their desert landscape.

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    Ladakh Festival_ Ladakhi Culture

    Ladakh Festival_ Ladakhi Culture

    Also Read: Little Ones of Ladakh

    At the Polo grounds, it is time to settle down and take in the show that is being put on not just by the natives of the region but also by those Tibetan refugees who have made India their home.

    Experience their way of life and age old traditions through the masked rituals, folk songs & music and even through the reenactment of royal court dances.

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    As most of their festivals celebrate life, besides seeking peace and warding off evil, the performance to their folk song of Marriage is the most intriguing. Marriage ceremonies in Ladakh begin with the boy’s family sending Chaang or the local beer to the girl’s family, from when start the many events that culminate in the wedding feast. One such ceremony is the Nyopjhol, where Nyopas i.e the bridegroom’s friends go to the brides house to fetch her. This ceremony depicted in dance form at the festival is a sight to see, as spectacularly dressed ladakhis in the ceremonial costume of the Nyopas – who play a very important role all the through the wedding – dance to the Marriage Song in accompaniment to the music played on the traditional instruments, Daman and Surna.

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    Ladakh Festival_ Ladakhi Culture

    The cultural programmes in Leh end by afternoon, after which the festival then moves on to other parts of Ladakh. All in all, the Ladakh Festival is a wonderful way to experience the culture and heritage of this region, so if you are planning a trip to Ladakh do take into account this festival!

     


    Read Next: Of Sunny Days & Brisk Breezes


  • Artisan Villages of Andhra Pradesh: Karipakam

    Artisan Villages of Andhra Pradesh: Karipakam

    South Indian Silk Sarees have always been known for their elegance. Be it from Telangana, Andhra, Karnataka or Tamil Nadu, every saree is unique in its design and technique to the region.  & these sarees are usually eponymous of the region they come from.

    One such are the Patur Sarees, which are quite in fashion today. Cotton, Silk and Zari (gold thread) threads are hand-woven together to craft these beautiful cotton silk sarees from the Village of Patur in Nellore District and the adjoining Village of Karipakam in Chittoor District.

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    There were around 150 weavers in Karipakam once. Today there are only 50, the lack of patronage pushing them to find work in nearby factories. Even the working conditions are not much to speak of. Though the dying of threads and getting them ready is more of an outdoor activity, the actual weaving is done in a pit loom.

    What little work now comes into the village comes from the head weaver, who gets designs from speciality retail stores like Nalli Silks and distributes it amongst the weavers.

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    Since, the mainstay of the village is this craft, all the villagers/weavers get together every morning to dye silk and cotton threads sourced from different places. It is a sight to see. So, if you wish to see the weavers at work, do visit the village on a sunny morning. Sunny mornings, for even the weather needs to be conducive. Too much moisture in the air dampens the thread which makes it difficult for the colour to stick.

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    Once, the patterns and the spindles of thread are ready, they are loaded onto the loom  and the weaving begins. Keeping with the trend and also the rules set by the buying companies, a design is not usually repeated.

    Zari motifs are hand-woven into the saree, which takes 2-3 days to finish depending on the number of colours in the pattern. If the same saree were to be made on a power loom, these would have to be sewn on to the saree separately.

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    and, this is what sets these gorgeous lightweight sarees apart.

    Starting at Rs.2,500/-, the sarees can be bought directly from the weavers houses.


    Explorers Guide

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    Getting There
    By Road – The most convenient way to get there is to drive down from Tirupati. This takes a little over an hour.
    By Air – Nearest airports are Tirupati and Chennai.
    By Rail – Nearest railway station is at Sullurpet.

    Stay
    Big Stay serviced apartments at Tada. With over 200 rooms, Indian, Oriental & Continental cuisines catering to people of all nationalities visiting/working at the Sri City SEZ and a travel desk that arranges your airport drop and pick up, they ensure a comfortable stay.

    Things To Do
    Trekking at Naagala Hills.
    Kayaking at the creek in Sri City.

    Nearby Places of Interest
    Pulicat Lake – India’s second largest salt-water lagoon, it is the winter home to numerous migratory birds from Central Asia, of which Flamingos and Pelicans number the most. The state tourism department hosts a Flamingo Festival here in January every year.
    Nelapattu Bird Sanctuary – Also known as Pelican Paradise, it is counted amongst the popular bird sanctuaries of India.
    Ubbalamadugu – Jungle Pools and waterfall.


    Read More on Artisan Villages of India:

    Artisan Villages of Telangana: Nirmal
    Artisan Villages of Telangana: Cheriyal
    Artisan Villages of Andhra Pradesh: Sri Kalahasti
    Artisan Villages of Andhra Pradesh: Uppada